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Half-Life

by Michael Hulse

Lucid narratives of family dramas, global warming, and conversations with Death make a riveting new collection from this prize-winning poet. The poems swing between Mexico City, New York, the Peloponnese, a Staffordshire village and home — their engagement with the church, art and natural beauty provide sure-footed travelling companions.

In an extended sequence, Death relates stories of her encounters with people and culture. This is not to suggest the poems make for comfortable reading: each poem's subject provides an opportunity to challenge and question its integrity. By turns mischievous and assured, this collection becomes more engrossing the more you read.

John Kinsella, naming Half-Life a Book of the Year in the Australian Book Review (December 2013), described it as "brilliant", "devastatingly disturbing" and "technically perfect".

The central sequence of Half-Life is a dialogue with death, informed by a grim humour and a haunting sense of history. Michael Hulse's narratives refuse cosi-ness, using bold images to show how we live surrounded both by horror and joy. The poems show a formidable poet equal to the demands of both.

Gwyneth Lewis

Michael Hulse is a real poet, an intelligent, highly-skilled craftsman of the first order. [His] language is alive, it breathes freshness and vitality like new air.

Doug Beardsley, Times Colonist (Victoria B.C.)

Read The Truth of Fiction
Read Swiss National Day in Lavigny
Read The Return

978-1908376-19-0 (pbk) £10.99
978-1908376-20-6 (hbk) £12.99
Published August 2013

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