Chapbooks
In the Shop of the Divine
Mary Gilliland brings to her work the rich flavors of the natural world, yet her destination is clearly news of the inner self, its perceptions, its relationships with others. She is not afraid of delight, neither does she shirk the hard tasks of anger, pain, and deep caring. — MARY OLIVER
Like the apothecarist Keats, Mary Gilliland’s poetry wells up from the healing force of unheard melodies. Her tensile lyric and fluent narrative grasp the sweet otherness in life, which is “Eve’s radical helplessness” to endure and bear intimate witness to both change and permanence…a radiant testimony—and a triumph—of an unerring ear I deeply cherish. Mythical and grounded, her sensuously rich language enacts a poetry in which self-concentration brims beyond the far reach of desire, passion, and the self. — ISHION HUTCHINSON
At once eco-sensual and erudite, Gilliland writes a nuanced poetry that richly investigates humanity’s contradictory capacities to destroy and to love. From first to last, I am spellbound by the largesse of vision and the beauty. — CYNTHIA HOGUE
Gilliland has continued to develop as a poet of high intelligence, considerable originality, and quiet intensity….whose work is consistently fresh and exploratory, in form as well as in substance. — STANLEY KUNITZ
By turns mystical and realist, Mary Gilliland’s intensely musical poems consider global apocalypse—“our course set for the destitute sunset”—but also celebrate the generative power of creativity, honoring the passion of cobbler, novelist, saint, inventor, photographer. With preternatural empathy, she enters fascinating sensibilities—Virginia Woolf, Nikola Tesla—and sings “the troubled music” of history, a frontier that extends from fabled to factual, from the Hesperides to the moon, from resorts to war zones. Her vision is profound, enduring. — ALICE FULTON
- Chapbook forthcoming
» More details...
My Country's Hair Turned White
Dilawar Karadaghi is one of the most important contemporary Kurdish poets and his work is marked by the long years of persecution, marginalization and struggle that are part of the Kurdish experience. The poems in this short selection are full of longing, sadness, loss and, in the final poem, anger, as the poet remembers the devastating chemical attack on Halabja in 1988 in which his ‘country’s hair turned white’.
- Chapbook
£8.00£7.20 available
» More details...
Poems Written Through Barbed-wire Fences
This chapbook by Ro Mehrooz is the first time that the work of a single Rohingyan poet has appeared in print in a bilingual edition. The Rohingya people continue to experience genocide at the hands of the Myanmar military, so it is not surprising that Ro’s poems are full of anger, anguish and despair, although there are moments of light as he reflects upon the traditions and customs of his people.
- Chapbook
£8.00£7.20 available
» More details...
Dreaming of an Ancient Country: Passages from Virgil's Georgics
Virgil wrote The Georgics in the 30s BCE at a time of political uncertainty in the Roman state and although country matters are to the fore in the selections chosen and translated in this chapbook, there is also from time to time an underlying sense of unease. The passages from Books 1, 2 and 3 deal with farming and animal husbandry and, from Book 4, with bee-keeping. The chapbook ends with the concluding passage of Book 4, Virgil’s beautiful telling of the story of Orpheus and Euridice. This translation from the Latin by the poet Fred Beake makes for very entertaining reading.
- Chapbook
£8.00£7.20 available
» More details...
Czernovitz - Charmovitz
Aneta Kamińska is a Polish poet, author of
eight volumes of poetry. She has a wonderful
ear for language and her specialty is poetry
brimming with linguistic games. She is also a
prolific translator of contemporary Ukrainian
poets. This chapbook presents a selection of
Kamińska’s own poetry from across the years.
Through the fracturing of language, with
word and sound-play or othertimes a deceptive
simplicity, Kamińska’s poems pull us up short
with their visceral honesty. Whether she
is writing about the female body, a Jewish
cemetery, the pandemic or the invasion of
Ukraine, her poems are at once fierce and
intimate. She is a unique voice which cannot
be ignored, its freshness and immediacy
discovered and relayed to us in ingenious ways
by her translators.
Maria Jastrzębska
- Chapbook
£8.00£7.20 available
» More details...
Ergo
Michelene Wandor’s fifth book from Arc is a book of love poems – and not-love poems. By turns fierce and gentle, passionate and bitter, they push at the boundaries of minimalist language and pack an emotional punch that will remain with the reader long after the book is closed.
- Chapbook
£8.00£7.20 available
» More details...
If I Only Knew
Known as a poet who spoke of the history
and suffering of the Jewish people, Nelly
Sachs was, at the time she was awarded the
Nobel Prize for Literature in 1966, highly
regarded in her native Germany, frequently
being described as a poet of reconciliation and
healing, although whether she was is open to
debate.
- Chapbook
£8.00£7.20 available
» More details...
The Cerulean Bird
Matilda Olkinaitė was only 19 years old
when, in 1941, she was murdered by Nazi
collaborators in her native Lithuania.
Many of the poems in this chapbook were
written in a notebook that remained
hidden for decades.
- Chapbook
£8.00£7.20 available
» More details...
Graphologies
I close my eyes and see poems
written inside my head.
I open them to copy them down.
Through photos I see
the poems with my eyes open.
These are the translations and
transcriptions of what I see.
- Chapbook
£8.00£7.20 available
» More details...
Arboretum for the Hunted
There has always been an intense physicality
to D’Aguiar’s work, matched by a penchant for
geographic groundedness and a biographical
perspicacity, that has made him one of the finest
writers of his generation.
What is most striking about this chapbook is
how much keeps him dreaming, even in places and
situations where many imaginations would stumble
and falter in the face of the relentless violence to
which we have all become far too inured.
There is hardly a Black British writer working
today who doesn’t owe D’Aguiar a considerable
debt, whether they know it or not.
- Chapbook
£8.00£7.20 available
» More details...