'Anthologies in Translation' series

This anthology showcases sixty poets writing in twenty-five languages from countries across Europe. A feat of European intercultural exchange, it is also a fitting celebration of the Versopolis ethos: an extraordinary variety of themes, styles, and subjects finding common ground in a shared idea of what poetry – and a poetry community – can be.

This anthology is published in collaboration with Beletrina Academic Press, Slovenia, part of the Versopolis project.

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This powerful, unique anthology contains the poetry of Holocaust victims from across the globe. Not only are members of Jewish communities included, but also people targeted by the Nazis on other grounds — those politically or religiously opposed to the Third Reich, homosexuals, members of Sinti & Roma communities, or those perceived as disabled.

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Every year, a large number of people living in our towns and cities - the homeless, suicides, illegal immigrants, junkies, drug 'mules', victims of crime and, above all, old people living alone - are found dead. Sometimes, they are not discovered for weeks or months, and it is often hard to ascertain who they are. Their funerals are held without relatives or friends and acquaintances being present; the only people in attendance are the pall-beares, perhaps someone from the Department of Social Services, the cemetery management and the funeral director. In Amsterdam in 2002, the poet and artist F Starik, deeply moved by the desolation of these solitary funerals, initiated 'The Lonely Funeral' project and seven years later in Antwerp, the Flemish poet Maarten Inghels set up a project of the same name.

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This is the first anthology of contemporary Burmese poets published in the West, and includes the work of Burmese poets who have been in exile and in prison.

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The Parley Tree does not pretend to be an all-encompassing portrait of the work of French-speaking poets of Africa and the Arab World. Rather, it is a glimpse of some of the most representative voices of the poetic movements and generations in the Francophone countries of the whole continent of Africa, and as such, seeks to do away with the divisions that traditionally separate North Africa from Sub-Saharan Africa, and the African world from the Arab world.

Poetry is one of the major forms of literary expression in these two regions, and the French-language poetry of the countries included in this anthology is clearly only one dimension of an overall poetic landscape shared with other national languages such as Arabic, Fula, Bambara, Berber, Wolof, among others. But it is a dimension that is recognized as being of great literary merit and worthy of the international acclaim it has attracted. The poets anthologized here — from North Africa, Sub Saharan Africa and the Arab World — have long wished to escape from artificial pigeon-holing and rather to be associated with common threads. The past half-century has confirmed their work as poetry of great literary quality, full of a unique vitality and presence, and The Parley Tree offers an insight into a whole world that might otherwise have remained closed off to English-language readers.

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